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mail@authorsguildoftn.org    +1.865.254-3054 and 865.657-9560.

Kaye George is a national-bestselling author whose work has been nominated for three Agatha Awards and has been a Silver Falchion Finalist once. She writes four mystery series. Imogene Duckworthy humorous mysteries: CHOKE, SMOKE, BROKE. 

Cressa Carraway musical mysteries (Barking Rain Press): EINE KLEINE MURDER, REQUIEM IN RED. People of the Wind Neanderthal mysteries (Untreed Reads): DEATH IN THE TIME OF ICE, DEATH ON THE TREK.

As Janet Cantrell she writes the Fat Cat cozy series (Berkley Prime Crime): FAT CAT AT LARGE, FAT CAT SPREADS OUT, FAT CAT TAKES THE CAKE. For these, she is agented by Kim Lionetti at BookEnds Literary.

These single short stories are published by Untreed Reads: “The Bavarian Krisp Caper” and “A Fine Kettle of Fish.” Her Agatha nominated “Handbaskets, Drawers, and a Killer Cold” appears in her own collection, A Patchwork of Stories. Her short stories have also appeared in Mysterical-E, Apollo’s Lyre, Kings River Life Magazine, Flash Bang Mysteries, and other magazines now out of print. Other stories are included in the anthologies: “The Truck Contest” in FISH TALES; three stories in ALL THINGS DARK AND DASTARDLY; “Henry, Gina, and the Gingerbread House” in GRIMM TALES; “My Husband” in HE HAD IT COMING; “The Last Wave” in NIGHTFALLS; “Immy Goes to the Dogs” in THE UNTREED DETECTIVES; two stories in MURDER ON WHEELS, which won the SILVER FALCHION; and “Heartbreak at Graceland” in MEMPHIS NOIR.

She lives in Knoxville, TN, where she also reviews for Suspense Magazine

My Books

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Books by Kaye George

My Latest Blogs

13 March 2017
Tips & Hints

To begin with, take a look at this IRS publication: http://www.irs.gov/irs/article/0,,id=186056,00.html
If you’re starting out as a full-time writer, you don’t have to declare income 3 of the last 5 years if you satisfy some requirements.

The important points from this article are, for you, as an unpublished writer (not making any money), or even a published one whose income doesn't cover expenses:
**Does the time and effort put into the activity indicate an intention to make a profit?
**If there are losses, are they due to circumstances beyond your control or did they occur in the start-up phase of the business?
**Do you have the knowledge needed to carry on the activity as a successful business?
**Do you expect to make a profit in the future from the appreciation of assets used in the activity?

You can report losses on a Schedule C for quite a few years before the IRS will take a look at you. See this article, which elaborates on the above:
http://taxsolutionsforwriters.com/2014/02/16/a-special-provision-for-writers-in-the-tax-law/

It’s important to be keeping records of submissions, classes, time spent, and to conduct writing as a business in every way you can. Also, of course, keep track of what you can deduct. Write down your mileage every year on January 1st!

This article goes into exquisite detail: http://www.eclectics.com/articles/taxes.html
This one includes some forms to help you keep track if you don’t already have some that you like: http://www.artstaxinfo.com/writers.shtml

AND, changes for this year: https://www.irs.gov/uac/newsroom/2016-tax-changes

The main points for me are that the filing date is 4/18 and the mileage is 54 cents/mile.

I hope this helps. Don’t lose out on loss deductions that you’re entitled to. And may you someday be declaring a profit! I made my first profit after filing as a writer for 12 years. A whole 3 figures.

Image from static.irs.com

 

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